The portraits they face in the silent darkness are as empty and pallid as if they were about to face death. However, their gazes are as clear as ever, staring beyond the screen. Perhaps the majority of the audience entering the exhibition hall would expect to feel fear, emptiness, or anxiety. Through straightforward expression of negative subjects, Kim Ji-hoon approaches and observes what true human life is. The concept of individual life has become very broad in the present. For example, it starts with one human being, the closest unit, such as family, friends, or acquaintances, and extends to society, nation, or all classifications of humanity. In other words, individuals may already be living lives dictated by interactions established under mutual agreements among relationships. It's a loss of individuality. However, most people adapt to their respective realities, unaware that their true lives are concealed by the veil of relationships, and live by forcing themselves to adapt. Here, the artist pays attention to the clowns who live their lives backwards from controlled lives and live raw lives. Also known as "fools" and metaphorically representing the joys and sorrows of humanity, clowns have always hidden their personalities behind their masks. They were always expected to play the role assigned to their makeup. Eventually, their lives lead to the loss of individuality. They become part of the crowd. The crowd is not only the clowns but also the product of the process of grouping, which includes an indefinite number of individuals, and it is a bleached group hidden under the name of society. In the end, even the clowns, who were considered asocial beings by the artist, are grouped and bleached into the concept of the crowd, revealing an inherent violence that infiltrates our lives as hidden beings within the screen. The technique of repeatedly erasing spontaneously drawn subjects and drawing them again assists in reflecting on concealed lives and bleached personalities and in self-reflection. Furthermore, extreme contrast and dichotomization between black and white measure the depth of the emptiness derived from such lives, and the deep sense of homogeneity felt by those already belonging to the crowd. Additionally, extreme expressions of scraping, dripping, and splattering may be a confession of desire for raw life, seeking to escape from controlled life. Ultimately, it amplifies visual tension within the screen and expresses a desire to reveal individuals resisting control. As a human being, it is natural to pursue a life free of impurities. The artist guides towards understanding and consulting the lost life that originated from deception. Furthermore, the discomfort felt by the audience during this exhibition is expected to serve as a time to consider from which point in their lives it arose and why.